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To Live is to Regret: A Life Lesson From Matt Haig’s “The Midnight Library”

By: Daniella Karp | Arts and Culture September 14, 2025

Michael Corleone and the Meaning of Solitude

By: Liev Markovich | Arts and Culture September 14, 2025

Abandon All Hope, Ye Who Enter Here: Adventures with Dante’s Inferno

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My Garlic Girl Summer

By: Bruria Schwartz | Arts and Culture August 24, 2025

Arts & Culture: What We’re Reading this Summer 

By: Commentator Staff | Arts and Culture June 9, 2025

Closing Time: A Review of ‘Glengarry Glen Ross’

By: Liev Markovich | Arts and Culture April 28, 2025

Ryan Gosling, Langston Hughes and the Meaning of Jazz

By: Avraham Frohlich | Arts and Culture April 2, 2025

The Complete Works of Shakespeare (Abridged) [Revised] {Again}: A Classic Play with a Classic YCDS Spin

By: Shai Krantz | Arts and Culture March 30, 2025

Staying Gold: How The Outsiders Musical Brought a Classic to Life

By: Dori Berman | Arts and Culture March 6, 2025

The Lost Art of Reading: Rediscovering the Power of a Good Book

By: Daniella Karp | Arts and Culture February 25, 2025

From the Editor’s Desk: In Conversation with Playwright David Mamet

By: Hannah Mamet | Arts and Culture | Editorials February 25, 2025

AMC: How One Conversation Sparked the Largest Club on Campus

By: Nissim Farhy | Arts and Culture February 12, 2025

The Ten Best Movies of 2024

By: Sam Weinberg | Arts and Culture January 28, 2025

‘September 5’: How One Film Connects Past and Present

By: Kayla Kramer | Arts and Culture January 27, 2025

Demonic Delight: A Review of “Bashevis’s Demons”

By: Liev Markovich | Arts and Culture January 27, 2025

Siddhartha: Indian Brahmin or Yeshiva Bochur?

By: Elza Koslowe | Arts and Culture December 15, 2024

Character Takes Center Stage in SCDS’s “The Man Who Came to Dinner”

By: David Deutsch | Arts and Culture December 8, 2024

Movie Roundup! — October and November 2024

By: Sam Weinberg | Arts and Culture November 25, 2024

“A Real Pain:" Hitting a Nerve

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DeLearium: A Critical Review of Kenneth Branagh’s "King Lear"

By: Nadav Heller | Arts and Culture November 22, 2024

Television Logic and “Quiz Show’s” Prescient Prediction

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Hadestown: A Tragedy Retold

By: Nissim Farhy | Arts and Culture October 20, 2024

Summer 2024 in Music: Roundup and Takeaways

By: Sam Weinberg | Arts and Culture September 15, 2024

Arts & Culture: “Uncle Vanya:” An Ode to Chekhov and the Age of Chronic Angst

By: Nissim Farhy | Arts and Culture June 9, 2024

Arts & Culture: What We’re Reading this Summer

By: Arts & Culture Staff | Arts and Culture May 30, 2024

Arts and Culture: A Review of Goyhood

By: Rebecca Guzman | Arts and Culture May 24, 2024

Arts & Culture: A Picture is Worth a Thousand Words: “Civil War” Shows a Broken America Through...

By: Jonathan Levin | Arts and Culture May 15, 2024

Arts & Culture: An Interview with Adam Segal

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“La Chimera:” A Movie Review

By: Sam Weinberg | Arts and Culture April 19, 2024

Arts & Culture: A Review of YCDS’s The Hound of the Baskervilles

By: Sruli Friedman | Arts and Culture April 14, 2024

David Foster Wallace’s Enduring Impact

By: Liev Markovich | Arts and Culture April 4, 2024

Arts & Culture: Film Forum Runs Japanese Horror Festival

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Arts & Culture: The Secret Lives of Books

By: Rebecca Guzman | Arts and Culture February 15, 2024

Arts & Culture: What To Make of This Year’s Oscar Nominations

By: Sam Weinberg | Arts and Culture February 15, 2024

Arts & Culture: Apophatic Poetry For a Time of Wordlessness

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Arts & Culture: The Poems That Travel With Us

By: Rivka Krause | Arts and Culture February 4, 2024

Arts & Culture: A Jewish Poet in Our Time: An Interview with Yehoshua November

By: Rebecca Guzman | Arts and Culture December 24, 2023

Arts & Culture: The Ten Best Movies of 2023

By: Sam Weinberg | Arts and Culture December 24, 2023

Arts & Culture: A Play Within a Play: A Review of SCDS’s ‘The Anastasia Trials in the...

By: Sruli Friedman | Arts and Culture December 4, 2023

Arts & Culture: Chassidus & Poetry: Attaching the Mind and Heart Through Verse

By: Schneur Friedman | Arts and Culture November 30, 2023

Arts and Culture: Soviet Rock and American Dreams

By: Rivka Krause | Arts and Culture November 23, 2023

Arts & Culture: A Trip to the 61st New York Film Festival

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Arts & Culture: Modern TV Gets a New Look: “The Bear” Season Two Review

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Arts & Culture: We Should All Read Mary Oliver

By: Rebecca Guzman | Arts and Culture October 25, 2023

Arts & Culture: Welcome!

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More Than a Few Good Men: A Review of YCDS’s Fall Production

By: N/A | Arts and Culture | Features February 3, 2015

The Death of TV

By: N/A | Arts and Culture | Features December 24, 2014

Summer Fun in New York City

By: N/A | Arts and Culture May 14, 2014

Noah: Literary Fiction of Biblical Proportions

By: N/A | Arts and Culture May 14, 2014

The Promise of Youth: A Review of the Opposite of Loneliness

By: N/A | Arts and Culture May 14, 2014

Jewish Werewolves in the Tri-State Area? A Review of A Wolf in the Soul

By: N/A | Arts and Culture May 14, 2014

The Mark of a Director: Wes Anderson’s Idiosyncratic Style in The Grand Budapest Hotel

By: N/A | Arts and Culture April 7, 2014

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Living Through Others or Learning from Them: Comparing Intellectual and Emotional Television

By: N/A | Arts and Culture February 13, 2014

What Am I? Photography in a Changing World

By: N/A | Arts and Culture February 13, 2014

From Self to Other, an Exhibition of the Intimate: A Conversation Between Yael Roberts and Israel Heller

By: N/A | Arts and Culture December 24, 2013

In the Shadow of Greatness

By: N/A | Arts and Culture December 24, 2013

Pain amid Humanity: Twelve Years a Slave

By: N/A | Arts and Culture December 24, 2013

Terra Nova: A Testament to the Arts at YU

By: N/A | Arts and Culture December 24, 2013